Friday, April 29, 2016

Mass Media Group Presentations Schedule for TR 2:35 p.m. class

The following groups will present on Tuesday, May 3, 2016:

1. Colin Holmes
2. Jennie Arruda
3. Alexa Luciano
4. Cameron Bain

1. Elizabeth Esten
2. Hannah Paquette
3. Annemarie Lillis
4. Josh Vitchkoski

1. Jess Acosta
2. Michael Pickhardt
3. Damiano Malvasio
4. Jackie Borwick

1. Hunter Haff
2. Maddie Mathers
3. Julianne Salemy
4. Mihir Siddartha


The following groups will present on Thursday, May 5, 2016:

1. Raelyn Giansanti
2. Wo Jarvis
3. Emily Hammel
4. Morgan DeShields-McClure

1. Brittany Word
2. Kayla Monteiro
3. Adi Giesey
4. Mike Moritz

1. Zack Myles
2. Patrick McNeeley
3. Hale Douthit
4. David Lane

1. Aden Nasarat
2. Josh Horowitz






Mass Media Group Project Presentations for TR 1:10 p.m.

The following groups will present on Tuesday, May 3, 2016:

1. Bailey Doran
2. Hannah Moriarty
3. Lily Cleary
4. Molly North

1. Brody Armstrong
2. Jordan Gropper
3. Armen Spendjian
4. Kendyl Bennett

1. Katie Holzman
2. Renee Best
3. Brian Bayer
4. Taylor Abdou

1. Nicole Decrem
2. Brandon Tate
3. Mike Budres
4. Jessica Rocchino


The following groups will present on Thursday, May 5, 2016:

1. Bryan Hultgren
2. Erin Berch
3. Hanyuan He

1. Morgan Gjoen
2. Lauren Katz
3. Amanda Cerruti
4. Sam Owney

1. Missy B
2. Yasmeen M
3. Sam D
4. Sam H

1. Alice F
2. Star L
3. Sean M


Mass Media Group Project Presentation Schedule for TR 10:50 a.m. class

The following groups will present on Tuesday, May 3, 2016: 

1. Rachel Damelio
2. Maeve Cambria
3. Izzy Hodess
4. Kaitlyn Gendron

1. Jennifer Gil
2. Rachel Beresin
3. Briana Owens
4. Melissa Dey

1. Ted Economo
2. Gordon Blaxall
3. Steven Churchill
4. Eric Newton

1. Luke O'Hara
2. Will Adams
3. Andrew Martin
4. Max Rockhold


The following groups will present on Thursday, May 5, 2016: 

1. Alex Dwyer
2. Chelsea Kerker
3. Elise Brown
4. Isabella Gervasoni

1. Godffrey Lucas
2. Matt Allchin
3. Christopher Falci
4. Annalise Haldeman

1. Kris DiNardi
2. Kayla Hurowitz
3. Ellis Boyd
4. Joe Gutberlet


1. Joe Guido
2. Stephen Latham
3. Jillian Gothelf



Saturday, April 23, 2016

Passover

For those who observe, Chag Sameach.

As a reminder, no assignments are due until Wednesday, April 27.

Jack


Tuesday, April 19, 2016

Online Assignment #2 (Week of April 18, 2016)

For Online Assignment #2, answer this question-- are the media (screen media especially-- internet + television + movies + video games) impacting sexual development? Take into account the article (posted below) as well as the material from the chapter in the text that talks about the effects of exposure to media sex. Do you believe that exposure to media sex has at all affected your sexual attitudes/behaviors? Why or why not? What other socialization factors play a role? 


Write a 250-word reaction to this question and post it on Sakai (under Tests & Quizzes). 


The reaction is due Tuesday, April 27, 2016 by midnight PDT.


Thanks.  



Overexposed and Under-Prepared: The Effects of Early Exposure to Sexual Content

Is the Internet impacting sexual development?


teen shocked by something on the Internet
“They grow up so fast,” parents often lament. Today, children are being sexualized earlier and earlier, in part because they are exposed to sexual material in movies, television, music and other media earlier than ever. With widespread access to the Internet, curious teens may accidentally or intentionally be exposed to millions of pages of material that is uncensored, sexually explicit, often inaccurate and potentially harmful.


So what? If kids don’t understand it, how can they be affected by it? Even if young children can’t understand sex or its role in relationships, the images they see can leave a lasting impression. It’s a basic premise of marketingthat what we watch, read and direct our attention toward influences our behavior. And, as any marketer knows, sex sells. That’s why we see products and services that have nothing to do with sex being marketed in increasingly sexualized ways.Children as young as 8 and 9 are coming across sexually explicit material on the Internet and in other media. Although research is just beginning to assess the potential damage, there is reason to believe that early exposure to sexual content may have the following undesirable effects:

Early Sex. Research has long established that teens who watch movies or listen to music that glamorizes drinking, drug use or violence tend to engage in those behaviors themselves. A 2012 study shows that movies influence teens’ sexual attitudes and behaviors as well. The study, published in Psychological Science, found that the more teens were exposed to sexual content in movies, the earlier they started having sex and the likelier they were to have casual, unprotected sex.
In another study, boys who were exposed to sexually explicit media were three times more likely to engage in oral sex and intercourse two years after exposure than non-exposed boys. Young girls exposed to sexual content in the media were twice as likely to engage in oral sex and one and a half times more likely to have intercourse. Research also shows that teens who listened to music with degrading sexual references were more likely to have sex than those who had less exposure.
Why are teens more likely to have sex after being exposed to sexual content in the media? Just as we read specific books and show educational movies to our children in hopes that they learn lessons from the characters, the media provides a type of sex education to young people. Media messages normalize early sexual experimentation and portray sex as casual, unprotected and consequence-free, encouraging sexual activity long before children are emotionally, socially or intellectually ready.

High-Risk Sex. The earlier a child is exposed to sexual content and begins having sex, the likelier they are to engage in high-risk sex. Research shows that children who have sex by age 13 are more likely to have multiple sexual partners, engage in frequent intercourse, have unprotected sex and use drugs or alcohol before sex. In a study by researcher Dr. Jennings Bryant, more than 66 percent of boys and 40 percent of girls reported wanting to try some of the sexual behaviors they saw in the media (and by high school, many had done so), which increases the risk of sexually transmitted diseases and unwanted pregnancies.

Sex, Love and Relationship Addictions. Not every child who is exposed to sexual content will struggle with a mental health disorder, but research shows that early exposure to pornography is a risk factor for sex addictions and other intimacy disorders. In one study of 932 sex addicts, 90 percent of men and 77 percent of women reported that pornography was a factor in their addiction. With the widespread availability of explicit material on the Internet, these problems are becoming more prevalent and are surfacing at younger ages.

Sexual Violence. According to some studies, early exposure (by age 14) to pornography and other explicit material may increase the risk of a child becoming a victim of sexual violence or acting out sexually against another child. For some people, habitual use of pornography may prompt a desire for more violent or deviant material, including depictions of rape, torture or humiliation. If people seek to act out what they see, they may be more likely to commit sexual assault, rape or child molestation.

Preserving Our Children’s Youth

Early exposure to sexual content in the media may have a profound impact on children’s values, attitudes and behaviors toward sex and relationships. Unfortunately, media portrayals do not always reflect the message parents want to send. Here are a few ways that you as a parent can ensure your message is heard:

• Know what your children are watching, playing and listening to and take advantage of teachable moments to discuss any inappropriate content or behaviors with them.

• Set and enforce limits around screen time.

• Make use of Internet filters and parental controls.

• Share your family’s values and expectations regarding sex and relationships.

• Talk to your child about media representations of sex, relationships andgender roles and teach them to question the accuracy and intent of the messages they receive.

• Model healthy, respectful relationships and self-worth.

For most families, banning media from the home isn’t a realistic option. After all, most 8- to 18-year-olds devote an average of seven and a half hours to media in a typical day, according to a 2009 study by the Kaiser Family Foundation, and more than half of that content contains sexual images or references. The goal isn’t to avoid the issue, but to approach it head-on so that your children learn about sex and relationships from their most trusted source: you.

Online Assignment #1 (Week of April 18, 2016)

Please read the following article and write a 250-word reaction addressing the following:

Do you believe that this model of having live audience members purchasing virtual gifts for the performers can work here in the United States? Why or why not?

Right now, Americans still flock to TV for "live" events-- football, musical specials, award shows, news, programs like The Voice, etc. Can you imagine a day in your lifetime where the majority of the audience would  go online to watch the Superbowl, the Academy Awards, The Voice, etc.? Why or why not?

Please post your reaction piece on Sakai under tests and quizzes.

It is due prior to 11:59:59 p.m. Tuesday, April 26, 2016 PDT.

Thanks.

Jack



Photo

Poison performing on YY.com. She is one of China’s most popular attractions on the web.CreditGilles Sabrie for The New York Times

ZIGONG, China — Dolled up with makeup and a blond wig, the pretty young Chinese woman sat at home in her bedroom on a quiet Sunday evening and began singing karaoke.
A large microphone and three webcams clipped to a desktop monitor streamed the performance over the Internet, to thousands of fans who knew her only by her stage name, Poison.
“Hey, Big Brother!” she greeted one fan in between songs. “Did you just get back from vacation in Sanya or are you watching on a laptop?”
Poison, 26, still lives with her parents and her dogs Blueberry and DuDu in a modest apartment. But she is one of the most popular attractions in a thriving new business in China: live interactive web entertainment.
Media and technology companies across the globe have tried for years to attract viewers en masse to live Internet broadcasts, with X-rated websites the only real success stories. China, though, appears to have cracked the code. Millions are now tuning in every night to watch karaoke performances, comedy skits and talk shows — moving beyond the common web fare of scantily clad women doing erotic dances.

Continue reading the main storyVideo


PLAY VIDEO|0:13

Live, and Online: Poison

Live, and Online: Poison

Millions of Chinese are watching live interactive web entertainment, like the popular karaoke performer seen in this clip, who goes by the stage name Poison.
 Publish DateApril 17, 2014. Photo by Gilles Sabrie for The New York Times.

The shows are typically low-budget productions by amateur entertainers who work out of tiny apartments, fitted with webcams. And viewers spend large sums online to buy credits to give virtual gifts of roses, chocolates and Chanel bags to performers, who receive a slice of the revenue from Internet companies.
The strategy offers a potential path for the rest of the world, which is struggling to move profitably into online programming. Services like Netflix and iTunes have prompted some consumers to drop cable. But viewers in the United States and elsewhere are largely sticking with traditional television for live shows.
Given the government restrictions on all manner of media, consumers in China seem more willing to go online for movies, music and even role-playing fantasy games. State-run television — with its steady diet of propaganda, game shows and stale dramas — just doesn’t offer the same variety.
The websites mix video feeds with streaming-text commentary from the audience. In the upper left corner of the screen is a running count of how many viewers are in the virtual concert hall. Digital cars — representing the V.I.P.s who spend large sums — speed in and out of the imaginary hall.
“I’ve spent more than $15,000 in each of the past two years,” says Mi Tian, a 29-year-old architect from Shandong Province. “I’ve given virtual gifts to basically every performer I’ve watched.”
The leader in China in this industry is a fast-growing start-up called YY.com. It has 92 million monthly active users and more than a million channels.
David Li, YY’s 40-year-old co-founder and chief executive, says live web entertainment is transforming an industry that has been savaged by copyright infringement and online file-sharing services.
“Now we’ve found a whole new way to rejuvenate the music industry,” Mr. Li said. “This will help entertainers make money.”
Investors are betting he’s right. Shares of YY have soared 500 percent since the company’s public offering on the Nasdaq stock market in late 2012.
YY was the vanguard for other Chinese webcasters considering listings in the United States, 6.cn and9158.com. And while some critics dismiss it as a fad, Sina and Tencent, two of China’s biggest Internet companies, have jumped on the bandwagon with their own live karaoke shows.
The companies have latched onto a new business model: turning amateur entertainers into live broadcasters who control their own programming, and offering them revenue-sharing deals to split the proceeds from virtual gifts, an idea adopted from the gaming industry. Instead of 100 or 500 channels, there are millions, each with a person creating his or her own live content.
“This is something on the border of movies and video games,” says Eric Wen, an analyst at China Renaissance. “It’s a challenge to the Hollywood model, which, because of copyright theft, didn’t really work in China.”
None of this was by design. YY began as an online community dedicated to World of Warcraft, Blizzard Entertainment’s popular role-playing fantasy game. And6.cn started as a video-sharing site, much like YouTube.
When faster Internet speeds arrived in China, video sharing gave way to live broadcasting. The early adopters were online gamers. Then came singers, DJs, hip-hop dancers and comedians.
The viewers tend to be single men in smaller locales with fewer entertainment options. Many are wealthy enough to spend thousands of dollars to get the V.I.P. privilege of driving a virtual Lamborghini Aventador LP 700-4 Roadster to and from the virtual concert halls during performances. They pay $1,100 for the privilege.
“People don’t understand why Chinese spend so much money like this, but it’s partly cultural,” said Yan Liu, the chief executive of 6.cn. “Even in the time of Peking Opera, performers were paid with gifts.”


The most popular performers are female “hostesses,” many of whom practice the art of sexual tease.
“What is it about me that attracts you guys? Is it my thighs or something else?” one hostess asks on YY. Viewers can respond in real time, through text or voice message with comments like this: “Can you imagine what it would be like if she stripped her dress off?” They never do, though the women often show lots of skin and cleavage.
Critics have complained about the corrupting influence of the live shows, which sometimes feature lewd behavior. But YY and its competitors insist they abide by the law, which forbids nudity or even behaviors that “generate sexual fantasies.”
“We have very clear rules on behavior,” said Mr. Li at YY.
Live web shows are empowering amateur entertainers, some of whom can now earn $90,000 annually, nearly 30 times the average Chinese salary.
One of the most successful lives here in Zigong, a midsize city in a mountainous region of southwest China. “Just call me Poison,” she says when asked her real name.
From a run-down apartment complex, Poison often performs live for more than 10,000 online viewers a night (a birthday concert once drew 36,000 viewers), making her one of the most popular performers on YY’s Entertainment channel. Her popularity earned her a mention in the I.P.O. prospectus YY sent to investors. A former dancer, office clerk and online gaming enthusiast, Poison began performing karaoke on 6.cn several years ago before being recruited to YY.
“The reason I’m doing this is simple. I wanted to be a singer since I was a little girl, but there wasn’t a way I could do it,” she says putting on eyeliner before a performance.
Just before her nightly show begins, around 8, she sits on her bed, surrounded by toy animals, staring at her computer monitor to see what viewers can see. She uses a special webcam to create candy-colored hues around her online image, strokes the locks on her blond wig, and selects karaoke tunes, favoring a mix of Cantonese love songs and theme songs from online games.
A bottle of water and a roll of toilet paper are by her side to deal with thirst and a runny nose. And then her three-hour live show begins, right from the edge of her bed.
“Hi everyone,” she says after going live with an audience that soon that night reached 15,000 people. “Did you miss me while I was away?”

Monday, April 18, 2016

Studio Assignment #7

Your last Studio Assignment has been posted on Sakai (SONY).

So as not to conflict with those students who might be going home for Passover, it's not due until Tuesday April 26th, 2016 by midnight PDT.

Thanks.

Jack


Wednesday, April 13, 2016

Media Law Overview

THE PRESS, THE LAW, AND THE COURTS

A Free Press

Partially as a result of their colonial experiences, but also as a hedge against potential future abuses, the Constitution's framers enacted a specific Bill of Rights. In it, the First Amendment says in part, "Congress shall make no law . . . abridging the freedom of speech, or of the press." As simple and straightforward as that may sound, people and the courts have been arguing over its interpretation for nearly 225 years.

Prior Restraint

When the government attempts to censor the press by restraining the media before something is printed or broadcast, that's called prior restraint. Though attempts to do so have been rare, the courts have held that the First Amendment is not absolute; the government can, under certain circumstances, restrain speech and the press, but the task of proving the necessity to do so is extremely difficult. In most cases, the Supreme Court has sided firmly with the press.

The Near Case
In the 1920s, the Minnesota legislature passed a law under which newspapers that were considered public nuisances could be curtailed by means of an injunction (an order from a court that requires somebody to do something or refrain from doing something). Even though the Minnesota law was designed, in part, to prevent press abuses against minorities, the Supreme Court held that good intentions did not supersede the greater danger of prior restraint.

The Pentagon Papers
In the early 1970s the Nixon administration attempted to suppress a story set to run in the New York Times. The nine-part series, illegally leaked to the press, described a top secret Defense Department study which had been commissioned to research the roots of the Vietnam conflict. Citing that the report would "cause irreparable injury to [our] defense interests," the Nixon administration successfully received an injunction against the Times to temporarily prohibit publishing that story. For the first time in history, a U.S. newspaper had been ordered to suppress a news story. Other papers (who by now also had copies of the report) began publishing the series; the administration countered with more injunctions, but very quickly the number of papers outpaced the administration's ability to keep up with injunction orders.

The Supreme Court, with unprecedented haste, heard the case only 17 days after the initial story appeared in the Times. In a 9-0 vote, the Court said the government had not proven a sufficient and significant danger to national security that would justify the need for prior restraint. On the other hand, the Court didn't rule that prior restraint could never be applied, simply that this time the government had not shown sufficient cause to merit that action.

Subsequent cases involving the CIA successfully getting parts of a book deleted because it contained classified information, restrictions on news coverage during the Gulf War, and an attempt to ban a Business Week article because the material for that article came from sealed court documents, have collectively shown the gray issue areas surrounding the First Amendment. Although there is a strong constitutional case against prior restraint of the press, significant unclear issues still exist wherein censorship might still be considered legal.


PROTECTING NEWS SOURCES

The press argues that if they are forced to disclose confidential sources, those sources will dry up and the public's right to know will be adversely affected. Government counters by citing it has a greater need to administer justice and to protect the rights of an individual to a fair trial.

The Reporter's Privilege

In the early 1970s the Supreme Court ruled that the First Amendment did not necessarily protect reporters from their obligation to testify before grand juries and to answer questions concerning a criminal investigation. The Court said that there were instances in which a reporter's claim to privilege could be valid. They also suggested that the states further define reporter rights by passing shield laws (legislation protecting a reporter from revealing his or her news sources). So far, 31 states have passed shield laws, but the differences between them and the variations in their interpretations have left these issues clouded and confused.

Search and Seizure

The ability to protect a reporter's notes and a newsroom's records from revealing a news source is also in a legal limbo. Here, the courts have offered even less protection. In response to the wide "fishing" net of a search warrant, Congress passed legislation in 1980 that required government to obtain a subpoena (an order to appear or present evidence) in order to obtain press records. A subpoena is more limited in focus than a warrant, and, more importantly, it can be challenged in the courts before being executed. These challenges suggest that reporters need to carefully consider potential problems before promising confidentiality to a news source.


COVERING THE COURTS

The Sixth Amendment guarantees a defendant the right to a trial before an impartial jury; on the other hand, the First Amendment guarantees freedom of the press. Trial judges are responsible for the administration of justice while reporters are responsible for informing the public about the workings of the legal system. Sometimes these responsibilities clash.

Publicity before and during a Trial

If a potential jury member has read, seen, or heard stories in the news media about a defendant that appears to indicate that person's guilt, it is possible that the defendant will not receive a fair trial. That's called pretrial publicity. In an effort to soften the conflict between the First and Sixth Amendment rights (sometimes called the Free Press/Fair Trial issue), the Supreme Court outlined safeguards which judges could use to protect a defendant's rights. Among them:

. sequestering the jury (physically isolating them from the public outside the courtroom)
. change of venue (moving the trial to another, presumably more objective, location)
. injunctions (prohibitions against making any potentially damaging statements made by
trial participants)

Gag Rules

Some judges have invoked restrictive orders, or gag orders, which restrain trial participants from giving out information to the media or restrain media coverage of events that occur in court. Press access to pre-trial proceedings, pre-trial evidence, jury selection, and even the ac-tual trial proceedings themselves has had a see-saw history of restriction and openness. In the 1980s, the Supreme Court reaffirmed the press’ right to open court access, but the Court also ruled that that judges theoretically could--using strict guidelines laid down by the Court--restrict press access if the situation warranted it.

Cameras and Microphones in the Courtroom

Still cameras, newsreel film, and radios first invaded the courts in the 1930s. Due in various part to the clumsiness and size of the equipment, the zeal of the reporters, and the inexperience of both the courts and the press with these communication systems, film and broadcast coverage became reminiscent of a circus. As a result, the American Bar Association adopted Canon 35 of its Canons of Professional Ethics, which suggested that courts bar film and broadcast in covering court proceedings. Soon after, most states did just that. Later, other court cases objected to the potential prejudice that TV coverage might produce, and it too became a court outcast.

Slowly, however, state-by-state, courtroom restrictions of AV materials have relaxed. By 1970, advances in technology and greater media experience re-opened the doors to the possibility of allowing video and audio court coverage. By 2000, only two states still prohibit film or broad-cast coverage under any circumstances. Broadcast coverage is, however, still prohibited in all federal criminal courts and in the Supreme Court of the United States.


REPORTER'S ACCESS TO INFORMATION

Government Information

After World War II, members of the press complained that government secrecy was becoming a major problem. Reporters were being restricted from official meetings, and access to govern-ment documents was often difficult to obtain. In response, Congress passed the 1966 Freedom of Information Act (FOIA), which gave the public the right--with some restrictions--to find out what the federal government was up to.

The law states that every federal executive-branch agency must publish instructions on what methods a member of the public should follow to get information. If information is improperly withheld, a court can force the agency to disclose what is sought. There are nine areas of exempted material such as trade secrets, criminal investigations, oil well maps, and IRS files.

In 1996, the Electronic Freedom of Information Act (EFOIA) was also passed to make more government information available on the Internet, although agencies have been slow to implement all the requirements of the EFOIA.

Journalists, however, have not made extensive use of this law since getting the information is often a cumbersome and time-consuming process. But the FOIA has been used effectively in some investigative series where time wasn't an issue. Sunshine Acts, allowing press access to most government meetings--again, with some restrictions--have also helped further public access to government proceedings. As is usually the case, most states have adopted similar FOIA and Sunshine Acts to cover state and local government proceedings.

Access to News Scenes

A reporter's right to access a news scene, above and beyond the public's right to the same access, is still in the evolutionary stage of definitive court decisions. The Supreme Court has suggested the press has no more of an inherent right to news scenes or public facilities than does the public at large, or to put in another way, when the public is not admitted, neither is the press. State laws themselves vary widely in the interpretation of what are a reporter’s access limits.


DEFAMATION

The right of free speech and the rights of a free press sometimes come into conflict with the right of an individual to protect his or her reputation. These conflicts are dealt with under defamation law, which can be broken down into several areas:

. libel written defamation that tends to injure a person's reputation or good
name or that diminishes the esteem, respect, or goodwill due a person

. slander spoken defamation; broadcast defamation is often considered libelous
because the defamation usually has broader impact than a typical slander
case; libel is also considered a more serious offense than slander

. libel per se some words are always libelous; falsely written accusations, such as
labeling a person a "thief" or a "swindler" automatically constitutes libel

. libel per quod normally innocent words could be libelous under certain circumstances

Though each state has its own defamation definitions, the same general rules apply. For example, in order for someone to win a libel suit against the media, that person must prove five things:

1. that he or she has actually been defamed and harmed by the statements
2. that he or she has been identified (although not necessarily by name)
3. that the defamatory statements have been published
4. that the media were at fault
5. in most instances, that what was published or broadcast was false

In proving that the media is at fault, people suing for libel must generally also prove that the purported defamatory statement is indeed false, so that virtually anyone who brings a libel suit must show the wrongfulness of what was published. But the media are responsible for whatever they report, and thus can’t hide behind the fact that they were only repeating what someone else said.

Defenses against Libel Suits

1. truth If what's been reported is true, defamation, by definition, has not occurred.

2. privilege The courts have held that in some situations, the public's right to know takes
precedence over a person's right to preserve a reputation. In common cases, like government or public proceedings, the press is protected as long as the reporter gives a fair and accurate report of those events, even if what’s reported contains a libelous statement.

3. fair comment Any person who voluntarily puts himself into the public eye or is at the
and criticism center of public attention is open to fair criticism. This applies only to fair
criticism, not misrepresentations of fact.

In 1964, the Supreme Court significantly loosened the potential restrictions on comments concerning public officials or public figures in the New York Times vs. Sullivan case. A civil rights group published an ad in the Times concerning a protest in Montgomery that Sullivan, an Alabama police official, claimed libeled him. Evidence revealed that several statements in the ad were indeed false. An Alabama court found in favor of Sullivan and awarded him $500,000; shortly thereafter, however, the Supreme Court overturned the decision and enumerated three major principles that would affect all future defamation decisions:

1. Editorial advertising is protected by the First Amendment.

2. Even false statements might qualify for First Amendment protection if they concern a
public official’s public conduct.

3. Public officials must prove that defamatory statements were made with actual malice.

Actual malice means publishing a statement with the knowledge that it was false or publishing a statement in "reckless disregard" of whether it was false or not. The Court noted the fact that being involved in a newsworthy event doesn't necessarily make a person a public figure. Private citizens however still need to show some degree of fault or negligence by the media. In many states this simply means showing that the media did not exercise ordinary care in carrying a story. People suing for defamation collect awards in one or both of two forms: actual damages (dollar damages the defamation  actually cost them), and/or punitive damages, in which juries tend to award big fines with the intent of punishing media performance. With punitive damages, however, even a private citizen must show the media acted with actual malice.

Defamation and the Internet

A whole new medium often brings whole new problems. For example, should defamation on the Internet be treated as libel or slander? If someone sues you for defamation, should your ISP also be held liable for carrying your message? The answer to the first question rests largely on your own state’s laws; the answer to the second question and the courts have ruled "no, your ISP is not responsible for carrying the message." If, for example, someone posts a libelous statement about you on his blog, you may sue him for damages, but not, say Time-Warner or Comcast (the company providing you Internet access).

This same idea applies to social media sites like Facebook. If someone libels you there, you can sue the author, but not Facebook (you agreed to such when you signed up, by the way). There's nothing to stop you from suing Facebook, of course, (and they get sued all the time) but you're probably not going to win-- unless you can show that Facebook employees knowingly published false, defamatory statements about you with a reckless disregard.


INVASION OF PRIVACY

The Right to Privacy

A single defamation publication might often prompt two suits: libel and invasion of privacy. The difference between the two is that while libel protects a person's reputation, the right of privacy protects a person's peace of mind and feelings. Second, libel involves publication of false material; invasion of privacy might be triggered by disclosing the truth. There are four ways the mass media can invade someone's privacy:

1. intruding upon a person's solitude or seclusion
2. unauthorized release of private information
3. publicizing people in a false light or creating a false impression of them
4. appropriation of a person's name or likeness for commercial purposes

Trespass

Trespassing is unauthorized entry onto somebody else's territory. If the question is, “Do journalists have a special First Amendment privilege to break the law in pursuit of a legitimate news story that will advance the public interest?” recent court rulings suggest that the answer is “no.”

In respect to the media, this area of the law has usually focused on the tactics of some reporters to gain entry onto private property using fraudulent methods, e.g., going undercover and pretending to be somebody they really weren't in order to get pictures or story background.

COPYRIGHT

Copyright laws protect authors against unfair appropriation of their work. First enacted in 1909, the copyright laws were fundamentally amended in 1976 in response to emerging communication technologies.

The new laws protect such things as literary and dramatic manuscripts, music works, sound recordings, motion pictures, and TV programs. The law also specifies what is not covered, such as ideas, news, a discovery, or a procedure. For works created after January 1978, copyrights last for the life of the author plus 70 years; works created before then are protected for a period of 95 years. Copyright protection extends only to copying the work in question; works that are similar, though not copied or based on the original, are not copyright infringements.

(Thanks to lots and lots of lobbying, corporations have successfully helped to "extend" copyright laws for "works made for hire"-- that is, works owned by corporations. This does not apply to individual works, whose copyrights expire earlier).

Specifically, the U.S. Copyright Office (http://copyright.gov) explains the length of copyright protection like this:

A work that was created (fixed in tangible form for the first time) on or after January 1, 1978, is automatically protected from the moment of its creation and is ordinarily given a term enduring for the author’s life plus an additional 70 years after the author’s death. In the case of “a joint work prepared by two or more authors who did not work for hire,” the term lasts for 70 years after the last surviving author’s death. For works made for hire, and for anonymous and pseudonymous works (unless the author’s identity is revealed in Copyright Office records), the duration of copyright will be 95 years from publication or 120 years from creation, whichever is shorter.

Someone can, however, use portions of a copyrighted work under the law's fair use provisions; such uses might include teaching purposes, research, news reporting, and critical reviews. To qualify for protection under fair use laws, these four factors are considered:

1. the purpose of the use (profit vs. non-profit)
2. the nature of the copyrighted work
3. the amount reproduced in proportion to the copyrighted work as a whole
4. the effect of the use on the potential market value of the copyrighted work

In the famous Betamax case, the Supreme Court ruled that viewers who owned VCRs could copy programs off the air for later viewing (timeshifting) since it constituted fair use of the material.

Copyright law does apply to the Internet, a 1995 presidential task force concluding that copying materials from the Internet is a form of reproduction that is protected by current copyright laws.


OBSCENITY AND PORNOGRAPHY

This area of the law revolves around the rights of free speech under the First Amendment when they come into conflict with the right of society to protect itself from what it considers harmful messages. Although obscenity is clearly not protected by the law, the courts have been unable to adequately define what actually constitutes obscenity.

Obscenity laws began with the 1860’s Hicklin Rule, in which its guidelines judged a book to be obscene by whether isolated passages had a tendency to deprave or corrupt the mind of the most susceptible person.

In 1957 the Supreme Court attempted to redefine the definition of obscenity in its Roth v. United States ruling. Those guidelines mandated that something was obscene if,

1) “to the average person, applying contemporary standards, the dominate theme of the material taken as a whole appeals to prurient interests.”

Unfortunately, the court did not define "average person," "contemporary community standards," or "prurient interests." This daunting task was left up to different regions of the country. Consequently, there is no consistent understanding. In many cases, some films are considered "obscene" in some cities (and therefore you can be charged with a crime for possessing, producing, viewing, or disseminating the material) and win film festival awards in others. Two of the most culturally conservative areas (when it comes to materials being deemed obscene) are Oklahoma City, Oklahoma and Cincinnati, Ohio. Two of the most culturally liberal areas (again, when it comes to materials being deemed obscene) are San Francisco, California and New York, New York.

Later, other decisions added refinements by saying that the material had to be

2) “patently offensive” and

3) “utterly without redeeming social value” to be obscene.

A 1969 ruling came up with the concept of variable obscenity when it stated that certain magazines were obscene when sold to minors but not obscene when sold to adults.

In 1973 the Court tried to close up the obscenity loophole when it adjudicated the Miller v. California case. The new test added these new principles:

1. whether the average person, applying contemporary community standards, would find that
the work as a whole appeals to prurient interest

2. whether the work depicts or describes in a patently offensive way certain sexual conduct
that is specifically spelled out by state law

3. whether the work as a whole lacks serious literary, artistic, political, or scientific value.

Despite the attempts at clarification, and the indirect suggestion that obscenity problems be handled on a local level, the problem of defining pornography to everyone’s satisfaction continues. The Internet, of course, brings on a whole new set of legal issues in terms of creating, defining, and distributing pornographic materials.

While the Court agrees that child pornography is not something protected under the First Amendment, it’s also ruled that the Internet should be given the highest level of first Amendment protection, similar to that given to books and newspapers, rather than the more limited rights of broadcasting and cable where regulation is more common.


REGULATING BROADCASTS

Because the public owns the airwaves, the government decides who gets a license to broadcast over certain frequencies on behalf of the public interest, and whether or not, after a time, they can renew that license. The broadcast media, therefore, are subject to more regulations than the print media.

The Federal Communication Commission

The governing body, the FCC, does not make the laws but rather interprets them. One of its biggest jobs is to continually interpret the concept of “operating within the public interest.” One of its responsibilities is to examine programming and determine whether public interest is being served, not just from a technical standpoint, but also from perspective of a well-rounded program lineup. The Federal Radio Commission, forerunner to the FCC, ruled in its 1929 Great Lakes decision that the broadcasting of programs that tended to injure the public--fraudulent advertising, attacks on ethnic groups, attacks on religion--would not be considered in the public interest.

A 1960 FCC policy introduced the idea of localism, contending that programs featuring local talent and aimed at local self-expression are necessary elements in serving the public interest.

In regulating stations, the FCC can make its influence felt in a number of ways. From the mildest to the most severe levels it can, for example:

. fine a station up to $250,000
. put a license renewal on probation, usually a year
. revoke or fail to renew a license

The last step is rarely taken; from 1934 to 1978, only 142 licenses were revoked. Some 99.8 percent of all licenses are renewed.

While rules relaxed during the deregulatory period of the 1980s, regulations began to increase in the 1990s. For example, Congress passed the Children’s Television Act, which among other things limits the amount of commercial time for children’s programs and also mandates that TV stations devote at least three hours of informational and educational programming for children each week.

Indecent Content

Congress, the courts, and the FCC have had a difficult time trying to find a compromise between protecting the principles of the First Amendment while also protecting children from accidental exposure to indecent content aired on radio and television. Several time periods that banned indecent content were tried, but the one that stuck is the one that now bans broadcasters from airing potentially indecent content between 6 a.m. to 10 p.m. They are allowed to offer indecent programming between the hours of 10 p.m. and 6 a.m. (overnight, when children are-- or should be-- asleep).

During the past 10 years, the FCC has taken unprecedented steps to enforce the "indecency" rule on broadcast TV. They have upped the fine so that now if someone, even during a live show, drops an "F bomb," then the fine is $32,500-- per utterance-- multiplied by the number of stations airing the program. The major television networks have about 200 affiliates across the country. This means that if ONE person drops an F bomb during a live event, the producers can get fined a total of $6.5 million. And if someone were to have the audacity to drop three f bombs? Well, then, that fine jumps to $19.5 million.


The Equal Opportunities Rule

The Equal Opportunities rule states that if a station permits one candidate for a specific office to appear on the air, it must offer the same opportunity to all other candidates for that office. If a station gives one person or party free time, other qualifying persons or parties must also get the same amount of free time.  The single exception, which creates the loophole for presidential debates, is that networks can cover debates limited to leading candidates because it’s defined as a “news” event.

The Fairness Doctrine

Now void, the Fairness Doctrine nonetheless continues to pop up for serious reinstatement consideration from time to time. When it was in effect, it said that broadcasters had to seek out, and make a good faith effort at presenting, opposing viewpoints on matters of public importance.


REGULATING CABLE TV

Congress and a few presidential administrations have demanded on-again, off-again regulations to govern the TV cable industry. The latest regulations arose because of widespread consumer complaints against rising fees and poor service; in response, Congress passed the Cable TV Act of 1992, which re-instated the FCC’s power to regulate cable fees and services. Two provisions of this act had important consequences.

First, most consumers saw their monthly cable rates go down. The second effect was in response to an industry challenge to overturn the rule that required it to carry the signals of local broadcast stations. The Supreme Court held that Congress could pass laws which guaranteed that the free flow of information not be restricted by a private firm that controlled the means of transmission.

THE TELECOMMUNICATIONS ACT OF 1996

The Telecommunications Act of 1996 was the first major overhaul of communication laws in more than 60 years, and it affected every industry regulated by the FCC. Some of the law’s key provisions are:

. no limit on total number of radio or TV stations that can be owned by one person or company, provided that no more than eight stations may be owned in a single market

. no limit on the number of TV stations that can be owned as long as that number doesn’t
reach more than 35 percent of the nation’s TV households

. extended the term of broadcast licenses to eight years

. allowed telephone companies to enter the cable field

. allowed cable companies to enter the telephone business

. deregulated the rates of many cable systems

. mandated that new TV sets come with the ability to block programs with strong sexual or
violent content (the so-called V-Chip)

. mandated that the TV industry to come up with a voluntary system to rate programs with
violent, sexual, or indecent content

Though the TV and cable industries created a rating system, and then amended it later because of public pressure, the new system is confusing and applied sporadically, if at all.


REGULATING ADVERTISING

When the Federal Trade Commission was started in 1914, its first mission was to curtail questionable business practices such as bribery, false advertising, and product mislabeling. Protecting consumer rights came later in 1938 with the passage of the Wheeler-Lea Act which gave the FTC the power to prevent deceptive advertising that harmed the public, reversing the long-held market place concept of caveat emptor, or “let the buyer beware”.

The FTC can issue trade regulations, which outline guidelines for an industry to follow. It can also use consent orders, in which the advertiser agrees to halt a certain advertising practice, although without admitting any violation of the law. Somewhat stronger, a cease-and-desist order arises from a formal FTC hearing in which it’s determined that a particular advertising practice does indeed violate the law. Failing to stop that practice can lead to FTC imposed fines.

The FTC has also occasionally required companies to issue corrective advertising, in which potentially misleading claims need to be clarified. The FTC also stopped advertisements that targeted children when the products advertised were deemed harmful to children, the R. J. Reynolds’ “Joe Camel” campaign being one of the more recent examples.

Commercial Free Speech Under the First Amendment

For many years the Supreme Court did not view advertising (a.k.a. commercial speech) as having any First Amendment protection. The 1964 New York Times vs. Sullivan case extended a new protection, however, to advertising that dealt with important social matters. More recent cases suggest that in many instances commercial speech falls under the constitutional protection, and in 1980 the Court outlined a four-part test for determining that protection:

1. Not protected is any commercial speech that involves an unlawful activity or advertising that is false or misleading.

2. The government must have a substantial interest in regulating the commercial speech.

3. The government’s regulation must actually advance the involved interests of the state.

4. The state’s regulations may be only as broad as necessary to promote the state’s interests.

And that, in effect, is an overview of Media Law in the United States.

Obviously, you can earn several advanced degrees on the subject, but-- in a nutshell-- those are the major points...